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Season 2002/2003

Irma la Dolce

Irma la Dolce

Translated from the Italian. Titles, names, venues and press headlines are kept as originally published.

IRMA LA DOLCE

commedia musicale by Alexandre Breffort

music diMarguerite MonnotandRaymond Legrand

orchestrazione Gérard Daguerre

epilogo Jérôme Savary

translationLuigi Lunari

with

Stefania Rocca

Fabio De Luigi

and with

Fulvio Falzarano – Ugo Conti – Luis Molteni

Giorgio Li Bassi – Matteo Brigida – Mino Manni

Vito Facciolla – Roberto Salemi – Cesare Vangeli

Emanuele Fortunati – Sax Nicosia

Daniela Ayala – Natalia Cretella

Franco Coni fisarmonica

Vincenzo Caruso piano

Luigi Sigillo contrabbasso

Luigi Fiscale batteria

Gianluca Mirra percussioni

collaborazione artistica

Léonidas Strapatsakis

set design

Jean-Marc Stehlé

costumes

Michel Dussarrat

lighting design

Luigi Ascione

choreography

Cesare Vangeli

sound design

Gianluca Tilesi

directed by

Jérôme Savary

Irma is something quite different from a pleasant little musical comedy. It is a formidable text – it is no accident that Peter Brook staged it in his day.

With Gérard Daguerre, my accomplice on “La Périchole”, who wrote the arrangements, we wanted to stage a truly simple Irma, as it was written, far from the Broadway version: an Irma of the Pont Caulaincourt, an Irma in the spirit of Breffort, tender poet of the suburbs, and of Monnot, the heart-rending composer of Piaf's finest songs.

No grand musical effects, but a small orchestra (the one from my latest shows) led by maestro Gérard at the piano and strengthened by the accordion prodigy Roland Romanelli.

No grand ballets, no special effects: the story alone is enough.

A tender spotlight on a couple who, in my view, equal the great lovers of the repertoire. Curiously, this story of a beautiful girl searching for ideal love is incredibly modest. And it raises the eternal problem of a woman seeking her independence in a society still stuck in the 1950s.

In a world where children and young people are bombarded by permissiveness in every direction and by sex served up in every form, Irma la Douce takes on the dimension of a moral tale. I certainly did not try to make it a fairy tale. In Irma's time, as today, boys are boys, and the underworld is no less sinister than it is now. But Alexandre Breffort and Marguerite Monnot, with their tenderness, take us beyond the everyday into a world of dreams and emotion.

Jérôme Savary

The work: More than a simple musical comedy, Irma la Douce by Alexandre Breffort, with music by Marguerite Monnot and Raymond Legrand, stages the love between a policeman and a Paris prostitute, with a live orchestra, choreography and music blending together in a truly engaging story. The plot: the small-time crook “Gaston the Wreck” falls in love with a prostitute called Irma, known as 'la douce'; consumed by jealousy, he devises a series of disguises to become her only client and win her love in return. Irma la Douce is a world whose characters naively believe nothing bad can happen to them as long as they escape the police; Irma and Gaston are more innocent still, believing that love alone will solve everything – but it is precisely when they begin to love each other that the trouble starts… the drama of jealousy looms…

Its success: first performed in Paris in 1956, Irma la Douce was an immediate and lasting success that turned the play into an international phenomenon, travelling from Europe to Broadway and Hollywood (with the film version directed by Billy Wilder, starring Jack Lemmon and Shirley MacLaine in masterly performances).

The audience: an ironic, satirical and moral work, it avoids vulgarity in treating a delicate subject such as prostitution, in a story where cynicism and romance constantly coexist. A delightful comedy that over the years has always won the approval of critics and of a discerning audience: Irma la Douce is an original and entertaining show appreciated by mature audiences – it pleases critical and fashionable Parisian audiences and demanding London ones, and its story wins over admirers of the great Hollywood hits.

Photographs are free of publication rights for press use. Please always credit the photographer: ph. Oreste Lanzetta

SCARICA FOTO

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Tournée season 2002-2003

Teatro Civico La Spezia 22–23/10/2002

Teatro Ventaglio Nazionale Milano from 29/10 to 30/11/2002

Teatro Verdi Salerno 03–08/12/2002

Teatro Saschall Firenze 12–15/12/2002

Teatro Novelli Rimini 17–19/12/2002

Teatro Manzoni Pistoia 20–22/12/2002

Teatro delle Celebrazioni Bologna 08–12/01/2003

Teatro Colosseo Torino 14–18/01/2003

Articoli

Il Mattino – Salerno

la Repubblica – Milano