In Attesa di Giudizio
Translated from the Italian. Titles, names, venues and press headlines are kept as originally published.
È UNA COMMEDIA? È UNA TRAGEDIA?
byThomas Bernhard
translation Vittoria Rovelli Ruberl
with
Fausto Russo Alesi
Giovanni Esposito
vocalist Simona Severini
and with (in o.a.)
Margherita Romeo
Giuseppe Russo
directed by
Roberto Andò
******
IN ATTESA DI GIUDIZIO
byRoberto Andò
from Il mistero del processo by Salvatore Satta (Adelphi edition)
with
Fausto Russo Alesi
Giovanni Esposito
vocalist Simona Severini
pianoVincenzo Pasquariello
voice di PilatoRenato Scarpa
voice di GesùPaolo Briguglia
and with (in o.a.)
Consiglia Aprovidolo – Andrea Avagliano – Michelangelo Belviso – Mario Cangiano
Pia Castiello – Federica Catalano – Bianca Cesarano – Michele Chiumeo
Massimo Cimaglia – Antonio Conforti – Sergio Del Prete – Antonio Di Martino
Antonio Donnarumma – Gerardo Fierro – Vincenzo Gatto – Antonio Iodice
Carmela La Ragione – Antonella Liguoro – Giuseppe Longo – Pasquale Longo
Cecilia Lupoli – Luigi Marano – Daniele Marino – Giovanni Martino
Andrea Martorano – Rosario Pastore – Agnese Perrella – Giovanni Piscitelli
Giorgio Puddu – Margherita Romeo – Giuseppe Russo – Giovanni Scotti
Angela Tamburrino – Giancarlo Tramontano – Giuseppe Villa – Chiara Vitiello
installazione scenica e luci Gianni Carluccio
costumesGianni CarluccioandAntonella D’Orsi
sound designHubert Westkemper
musicMarco Betta
assistant directorLuca Bargagna
aiuto scene e costumi Sebastiana Di Gesu
directed by
Roberto Andò. After taking part in the first edition of the NTFI with the beautiful Proprio come se nulla fosse accaduto, staged at the Darsena Acton, Roberto Andò returns to the Napoli Teatro Festival Italia 2017 with two shows in the historic setting of the Maschio Angioino.
A fugue on judgement, on the anguished and futile claim of the law to pursue and pin down in rules the tumultuous renewal of life and experience. A show-installation in two parts in which, besides the triad that officiates over the mystery of the trial – the lawyer, the judge and the prosecutor – we find victims and their executioners, but also figures such as Christ, Pilate, Socrates, Voltaire and a gorilla. The voice of a murderer alternates with that of a jurist, both searching the senseless, labyrinthine folds of existence as a legal form. An indictment without appeal on the meaning of the trial.
Un ringraziamento speciale to Professor Filippo Satta, a Patrick Guinand, a Christiane Schneider, a Michelle Gagliardi.
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